Archive for April, 2009

J.G. Ballard, 1930–2009

Tuesday, April 21st, 2009

British writer J.G.Ballard has died. His work was dystopian, and yet difficult to put down. Ballard conjured up complete worlds that were plausible, fascinating, often sinister, but never too fantastic to be believable. He considered himself an imaginative writer more than a science fiction writer, exploring the change brought about by science and technology. 

Novels such as The Drought, 1965, anticipated catastrophic climate change. High Rise, 1975, is a stunning, Lord of the Flies sort of survival drama played out in a modern high rise building as the inhabitants destroy conventional society and revert to the laws of the jungle. This paperback edition of  The Impossible Man, from, 1966, contains some of Ballard’s unforgettable short stories.

V. Vale, of REsearch Publications, wrote a memorium at Laughing Squid.
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The Man with the Movie Camera

Friday, April 10th, 2009

A new cover design for City Lights publishers features a still from Dziga Vertov’s 1929 film, The Man with the Movie Camera. Life As We Show It will be coming out around June of this year. Vertov believed the camera could go anywhere and he pioneered cinematic techniques such as stop motion, freeze frames, double exposure and jump cuts. The collected writings on film that Brian Pera and Masha Tupitsyn have gathered, explore how movies become part of our own biography and personal history, as we absorb and digest the powerful images on screen.

The editors located this stunning black and white photo of an eye seen through the camera’s lens, and I used it to make a rich tritone, a perfect image for a book that examines the life of the imagination as embodied in cinema. The eye on the back looks great emerging from the rich black, in a circular crop of the same photo.

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J.J. Grandville and Anthropomorphism

Thursday, April 2nd, 2009

French artist J.J. Grandville was a caricaturist and illustrator. Among his many talents, was anthropomorphic illustration. By combining human and animal characteristics into remarkable, fantastic creatures, Grandville satirized his political and social mileu. These surreal wood engravings from 1842, were a huge influence on Sir John Tenniel’s illustrations for Alice in Wonderland, on Franz Kafka’s writing, and on Walt Disney. 

I was able to view a nice edition of Vie Privee et Publique Des Animaux, thanks to the French Library at U.C. Berkeley. A witty and telling commentary on politics and personalities (I’m told), this book is crammed with stunning illustrations.
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